Category Archives: On Writing

The Power of Small Things, guest post by Elizabeth Jennings, author of THE BUTTON COLLECTOR

button_final_1Elizabeth Jennings, author of THE BUTTON COLLECTOR

Years ago, I began writing a novel based on a family’s collection of discarded buttons because I liked the idea of small, tangible items telling stories that weave together to form a larger truth.

At the time, I had no idea how many button aficionados exist in this world.  Or how devoted they are.  Or talented.  Or insightful.  Since then, I’ve come across countless button jewelers, button crafters, and button florists who create objects of beauty ranging from whimsical earrings to festive bridal bouquets.  I’ve discovered artists who transform buttons into complex, sophisticated mosaics, mandalas, and even sculptures.  I’ve become aware of clubs and organizations just for button collectors, including The National Button Society, which is made up of 3000 serious collectors who research buttons as historical artifacts.

Button fans, it would seem, are legion.  But beyond the hard-core button contingent is an even greater number of regular folk who have vivid memories of playing with their own family’s collection of buttons.  Here are some typical reactions I get when I tell people the basic premise for my book, THE BUTTON COLLECTOR:

“I did that! My grandmother had a box of buttons I used to play with.”

“I can see my mother’s button jar right now.”

“I loved the sound they made when I poured them out of the tin.”

The memories are obviously visceral, the kind of memories that serve as a time portal.   As I talk with these people, in their eyes I can almost see the switch flip and the past come to life.

In my casual, on-and-off study of people and their buttons, I recently came across one of the most poignant examples of all—The Holocaust Memorial Button Project in Peoria, Illinois, which I discovered through a wonderful blog called Bonkers About Buttons.   The memorial is made of glass stars and triangles encasing 11 million buttons, one for each person murdered in the Holocaust.  As Bonkers about Buttons explains:

The visual image the group selected to use was a simple button, which was chosen to represent each life because of their circular shape reminding us of the cycle of life. Buttons are also enduring – they last long after garments have faded and unraveled to remind us of the past.

The memorial contains a staggering 11 millions buttons – some big, some small, some fancy and some plain and provides a visual representation of what is too startling and too staggering for the mind or heart to comprehend.

The idea is similar to a popular middle school exercise in which students collect paper clips to represent people killed in the Holocaust.  While paper clips work well to show the scale of atrocity, I believe buttons give the memorial added depth because they are personal. They remind us of our own clothing, our own details, our own humanity.  I like the fact that people donated their buttons for the project.  In this situation, the buttons have an almost talisman-like power that appears to demand memory, respect, and justice.

From time to time over the years I’ve doubted the whole idea behind my book.  Who wants to read about buttons anyway?  People might think the idea is silly, frivolous, childish.  Fortunately, realizing that I’m not alone in my appreciation for these little objects of art and history gave me confidence to keep going until now, I’m happy to say, I have a book.

As a writer, I also feel validated when I notice buttons making appearances in other writers’ words.  About half the books I’ve read this year have included details, passages, or even recurring themes focused on buttons.  I don’t think these references are anything another reader would notice, but I do, and it underscores one of my guiding beliefs as both a writer and a person—small things matter.   They matter a lot, even more, usually, than big things.  Small things are the way you make a story true and alive, how you give it the power to reach out from the page and crawl into a reader’s soul, how you make memory dance and dreams shimmer.

The big things in a story—epic battles, age-old betrayals, mountaintop experiences—only have power if they can be made particular, if the reader can experience them up close and personal.  That’s why it’s possible for me to read accounts of Roman gladiators and feel only a whisper of unease–I can’t relate to those people.   I don’t know what they ate, how they played with their children, or any other details of their daily life.  On the other hand, just glancing at the guide for the Anne Frank Memorial is almost more than I can bear because the little details in it make it easy for me to imagine myself and my children in her place.

Small things have the power to make happiness come alive too, and that brings me back to buttons. Imagine 30 satin buttons tracing down the back of a wedding gown.  Imagine three baseball buttons on a baby boy’s playsuit.  Imagine a single metal button shining on a new leather satchel.

Imagine elegance, innocence, possibility.

Imagine the details of the stories.

Imagine life.

www.elizabethjennings.com

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Filed under Guest Posts, On Writing

Bloggers: writers, cooks, cyclists helping each other on Facebook

facebook engancha

facebook engancha (Photo credit: Wikipedia)

February 27, 2013 - A Facebook page can be a great way to grow your readership and exposure.  However, your page is only as successful as the number of people who have “liked” it.  When someone likes your page, any update, link, picture and video that you post appears on that person’s main Facebook feed.

So how to get more likes?  Number one, of course, is posting great content.  But how can we all help each other get more likes and thereby expand our readership?

I saw this on Linkedin and thought I would try this here.

I’m inviting anyone that has a Facebook page to post a link in the comments section.  Otherwise, just email me a link to your page and I will post it here for others to see.  If you want to help, check out the links!  If you find a particular person’s page interesting, just “like” it and send the person an email asking they do the same for your page.

Hopefully this will help us all to connect with each other and other “like”-minded readers.  This is just an experiment, but I hope it works!

My page: https://www.facebook.com/Lasesana

Pages I like:

The Ranting Papizilla’s page

Bike War’s page

 

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Filed under On Writing, Other Stuff

10 Ways to Beat Writer’s Block

 

All writers experience writers’s block.  What is important is getting through it.  Some techniques will work for you, while others may not.  It is important to find what you are successful with and continuing to develop that technique or exercise.  Try each once or twice, then repeat the ones that gave you the best results.

 

Portrait of Zora Neale Hurston- Eatonville, Florida c 1940, Flickr Commons

Portrait of Zora Neale Hurston- Eatonville, Florida c 1940, Flickr Commons

10.  Establish a routine/set a goal

 

Many writers do not settle down to write until they feel like writing.  If you sit around and wait for inspiration to come to you, you may be waiting a long time- and get very little writing done.  Sometimes the act of writing is more important that what you actually write.  If you set a writing schedule and find a routine that feels comfortable to you, often inspiration will come.  Set out a certain amount of time and use that a time exclusively to write or at least work on your craft; don’t answer emails or cruise Facebook- for the time that you’ve set apart for writing, either write or work on being a better writer (more on this in #4).  If you are more goal-oriented, set a word or page goal–say 400 words five days a week– and stick to it.

 

9.  Warm up

 

Sometimes it is difficult to get into the right mindset.  I know that I have to completely change gears from writing my column to writing fiction.  To warm up, I use a legal pad and free-write for 10 minutes.  I don’t really concentrate on what I write as much as not taking the pen off the paper.  This can be a great way to address thoughts and duties that keep popping up into your head and prevent the creative juices from flowing.  My free-writing sometimes becomes a to-do list, others it is just a way to concentrate on a problem that has been nagging me.  Once I have done this, I feel like I have cleared my head and can focus on my writing, instead of whatever was on my mind.

 

Charles Dickens c 1865, Flickr Commons

Charles Dickens c 1865, Flickr Commons

8.  Write the ending 

 

If you are working on a great idea, but keep getting stuck at a certain point, try writing the ending first.  Once you know the goal you are working towards, it will be easier to figure out how to get there.

 

7.  Silence your inner critic/allow for failure

 

Many writers let their inner critic kill every idea before it even has a change to emerge clearly.  While you should look at your later drafts and final manuscript with an extremely critical eye, give yourself space to completely mess up in the beginning of the process.  I tell myself that I will probably chuck the manuscript of my first novel in the trash.  This gives me great freedom to mess up, write something stupid, something nobody–not even my grandmother who adores me–will like.  I write notes on a yellow legal pad and allow myself to cross out entire pages, circling the little gems that I want to keep.

 

This is how my best ideas have emerged.  I like to visualize my ideas amorphous, nothing is set in stone—because I can throw it in the trash, right?  I allow myself to go with my imagination and then say “nah…” and go back to some earlier point.  I ask a lot of “what if?” questions and come up with a few different answers.  I keep some, I discard others, but I go with my gut and ignore my critic.

 

Agatha Christie visits the Acropolis 1958, Flickr Commons

Agatha Christie visits the Acropolis 1958, Flickr Commons

6.  Try writing prompts

 

If you are completely blank, try a few writing prompts before you begin each writing session.  Here are some good ones:

 

writing prompts on tumblr

 

Writing prompts from Writer’s Digest

 

creativewritingprompts.com

 

Writing prompts by Lasesana (me)

 

5.  Take note!

 

Ideas can come to you anywhere.  It is important to keep a small notebook with you at all times or a digital note file on your phone.  My best ideas come to me in the shower.  For a long time, I would keep a notebook on the sink and hop out to jot down my idea.  Predictably, I didn’t write down a lot of my ideas- especially in the winter.  A few years ago, however, I started writing a few key words on the glass shower door with the soap.  I can then transcribe my notes at my leisure, without having to freeze or interrupt one of my favorite activities.  Also, whoever goes in the shower next has the chore of washing the soap off the door- my shower door is always spotless!

 

Gertrude Stein 1914, Flickr Commons

Gertrude Stein 1914, Flickr Commons

4.  Hone your craft

 

My number one antidote for writer’s block is reading and learning about the writing process.  Also, writing these posts on writing has been extremely helpful.  When I read about others who are experiencing the same problems with their writing and how they have overcome them, I am immediately filled with the urge to work on my writing.  When I learn about a new outlining, character development, or plot technique, I can’t wait to apply it to whatever I’m working on.  Writing blog posts about writing has helped me more than anything.  I have been working on something for over two years.  However, I have made more progress in the last few months than I have since I began.  Mostly, it has been due to what I have been learning while writing these posts.  Here are some great sites on writing:

 

101 Best Websites for Writers (Writer’s Digest PDF)

 

KM Weiland’s HUGE list of articles on writing 

 

LitReactor Online classes, workshops, articles, etc.

 

3.  Get out and exercise

 

A brisk walk around the block, a 20-minute jog, or a class at the gym can do wonders for your writing.  Getting out of the house and a little oxygen to your brain can get the creative juices flowing.  If it doesn’t work, at least you got some exercise.

 

Victor Hugo c 1870, Flickr Commons

Victor Hugo c 1870, Flickr Commons

2.  Change your workspace

 

Sometimes a little change of scenery can do wonders for a writer experiencing difficulty.  Move your desk around, get a plant, take your laptop to the park, or change your chair.  Sometimes a little change or a big alteration can have a significant impact on your mood and your writing.

 

1.  Believe you will overcome it.

 

Don’t panic.  Everyone’s been there and almost everyone gets through it.  Nobody said writing was easy, but it’s not impossible.  Hone your craft and believe that if you work hard enough, you will be the writer you want to be.  Don’t freak out or think of it as the end of the world.  Go see a movie, re-read a passage from your favorite novel, catch an exhibit at your local museum.  Fill and replenish the well of creativity so that you can draw from it later.

 

 

 

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Filed under On Writing

The Many Versions of A Visit From St. Nicholas (‘Twas the Night Before Christmas)

WASHINGTON DC, December 23, 2012- Few works of literature have had as many alternate versions written as Clement Clarke Moore‘s A Visit From St. Nicholas (‘Twas the Night Before Christmas).  Here are a few of the ones I’ve found.

My favorite by far is the Spanglish version, for obvious reasons:

A Spanglish ‘Twas the Night Before Christmas

Author Unknown

by Graham and Sheila Flickr

by Graham and Sheila Flickr

‘Twas the night before Christmas and all through the casa,

Not a creature was stirring – ¡Caramba! ¿Qué pasa?

Los niños were tucked away in their camas,

Some in long underwear, some in pijamas,

While hanging the stockings with mucho cuidado,

In hopes that old Santa would feel obligado,

To bring all children, both buenos and malos,

A nice batch of dulces and other regalos.

Outside in the yard there arose un gran grito,

and I jumped to my feet like a frightened cabrito.

I ran to the window and looked out afuera,

And who in the world do you think that it era?

Saint Nick in a sleigh and a big red sombrero,

Came dashing along like a loco bombero.

And pulling his sleigh instead of venados,

Were eight little burros approaching volando.

I watched as they came and this quaint little hombre,

Was shouting and whistling and calling by nombre:

“Ay Pancho, ay Pepe, ay Cuco, ay Beto,

ay Chato, ay Chopo, Maruco, y Nieto!”

Then standing erect with his hands on his pecho,

He flew to the top of our very own techo,

With his round little belly like a bowl of jalea,

He struggled to squeeze down our old chiminea.

Then huffing and puffing at last in our sala,

With soot smeared all over his red suit de gala,

He filled all the stockings with lively regalos,

None for the ninos that had been very malos.

Then chuckling aloud, seeming very contento,

He turned like a flash and was gone como el viento,

And I heard him exclaim, y ¡esto es verdad!

Merry Christmas to all, ¡y Feliz Navidad!

Twas the night before Christmas… bike style

by Coghauler.

by wolfsavard Flickr

by wolfsavard Flickr

 

I found this one on the Tucson Velo website

‘Twas the night before Christmas and out on the street,

everybody was cycling and, man, was it neat!

The fixies were hopping at the stop signs with care,

coz TucsonBikeLawyer said the cops would be there!

El Grupo was racing, staying in a line straight.

Ignacio was beaming, saying, “Hey, ain’t they great?”

And Mom on her Surly and me on my Trek,

Were loaded with presents, trying hard not to wreck!

When over on 6th Street there came such a noise,

The whole group did a u-ie, but maintained their poise.

And over to Bicas they pedalled like crazy,

Three fell on the tracks saying, “Oh, woopsey-daisy”.

Into the lot the cyclists tore,

Looking this way and that to find out the score.

They just couldn’t figure, so gathered around

That one lowly window and here’s what they found.

One huge cargo bike and Eight La Supremas;

A ton of new bike parts and the one we call Claus.

He spoke not a word and got real busy.

Just standing there watching made everyone dizzy.

He gave the wheels new tires and put the bikes all in rows.

He oiled the chains and got grease on his nose.

He fixed all the Peugeots, the Raleighs and Schwinns;

put wheels on the racks and parts in the bins.

But before the Supremas gave the cargo a lift.

Lights, helmets and bells were the bikes’ final gift.

And he said as he left flying o’er the freight train,

“Merry Christmas to all and bikes may use full lane.”

Twas the Night Before Christmas

Politically Correct

Twas the night before Christmas and Santa’s a wreck…

How to live in a world that’s politically correct?

His workers no longer would answer to “Elves”,

“Vertically Challenged” they were calling themselves.

And labor conditions at the north pole

Were alleged by the union to stifle the soul.

Four reindeer had vanished, without much propriety,

Released to the wilds by the Humane Society.

And equal employment had made it quite clear

That Santa had better not use just reindeer.

So Dancer and Donner, Comet and Cupid,

Were replaced with 4 pigs, and you know that looked stupid!

The runners had been removed from his sleigh;

The ruts were termed dangerous by the E.P.A.

And people had started to call for the cops

When they heard sled noises on their roof-tops.

Second-hand smoke from his pipe had his workers quite frightened.

His fur trimmed red suit was called “Unenlightened.”

And to show you the strangeness of life’s ebbs and flows,

Rudolf was suing over unauthorized use of his nose

And had gone on Geraldo, in front of the nation,

Demanding millions in over-due compensation.

So, half of the reindeer were gone; and his wife,

Who suddenly said she’d enough of this life,

Joined a self-help group, packed, and left in a whiz,

Demanding from now on her title was Ms.

And as for the gifts, why, he’d ne’er had a notion

That making a choice could cause so much commotion.

Nothing of leather, nothing of fur,

Which meant nothing for him. And nothing for her.

Nothing that might be construed to pollute.

Nothing to aim. Nothing to shoot.

Nothing that clamored or made lots of noise.

Nothing for just girls. Or just for the boys.

Nothing that claimed to be gender specific.

Nothing that’s warlike or non-pacific.

No candy or sweets…they were bad for the tooth.

Nothing that seemed to embellish a truth.

And fairy tales, while not yet forbidden,

Were like Ken and Barbie, better off hidden.

For they raised the hackles of those psychological

Who claimed the only good gift was one ecological.

No baseball, no football…someone could get hurt;

Besides, playing sports exposed kids to dirt.

Dolls were said to be sexist, and should be passe;

And Nintendo would rot your entire brain away.

So Santa just stood there, disheveled, perplexed;

He just could not figure out what to do next.

He tried to be merry, tried to be gay,

But you’ve got to be careful with that word today.

His sack was quite empty, limp to the ground;

Nothing fully acceptable was to be found.

Something special was needed, a gift that he might

Give to all without angering the left or the right.

A gift that would satisfy, with no indecision,

Each group of people, every religion;

Every ethnicity, every hue,

Everyone, everywhere…even you.

So here is that gift, it’s price beyond worth…

“May you and your loved ones enjoy peace on earth.”

Notice: This poem is copyright ©1992 by Harvey Ehrlich. It is free to distribute, without changes, as long as this notice remains intact. All follow-ups, requests, comments, questions, distribution rights, etc should be made to mduhan@husc.harvard.edu .

For Parents:

’Twas the Bike before Christmas

by P. R. Van Buskirk

by heatheronertravels Flickr

by heatheronertravels Flickr

From the website: http://holyjoe.org/poetry/buskirk.htm

’Twas the night before Christmas, when all through our house

Not a creature was sleeping, not even my spouse.

The stockings were hung by the chimney with screws.

(If you can’t find the nails, what else do you use?)

The children were restless, awake in their beds,

While visions of spanking them danced in our heads.

I worked in my bathrobe. My husband, in jeans,

Had gone down to the den with directions and dreams

To assemble a bike that came in small pieces

With deflated tires and fenders with creases.

Soon down in the den there arose such a clatter,

I sprang from my task to see what was the matter.

Away to my husband I flew like a flash;

He was shuffling through cardboard; his actions were rash.

The bike on the rug by this now flustered Dad

Soon gave me a hint as to why he was mad.

He needed a kickstand. It had to be near.

I shuffled some papers — he saw it appear!

We twisted the screws; we were lively and quick,

And we soon knew assembly would be quite a trick.

Fast as eagles in flight the pieces were found,

And he whistled and shouted for parts all around:

“Now socket! Now pedal! Now tires! Now brakes!

On handles! On kickstand! On horn! … oh… but wait!”

In the top of the toolbox, he fumbled around;

“I need two more screws!” he said with a frown.

And like all good parents determined to please

When they meet with an obstacle late Christmas Eve,

We shouted and yelled some complaints to each other.

There was never more frustrated father and mother!

And then, in a panic, we heard on the stairs

The prancing and hopping of feet… ’bout two pairs!

I opened the door and was turning around,

When kids burst from the hall with a leap and a bound.

They were dressed all in flannel, from their necks to their knees,

And their nightgowns were soiled with sugar and cheese!

Excuses poured forth from each pair of lips;

They stood in defiance with hands on their hips.

Their eyes were wide open, and each little child

Jumped when I yelled with a voice hardly mild.

They were frightened but cute, though much bigger than elves,

And we laughed when we saw them, in spite of ourselves.

A wink of the eye and a pat on the head

Soon let them both know they had nothing to dread.

They saw not a thing but went straight to their beds,

And we finished the bike and put bows on the sleds.

Then wheeling the bike by the tree (out of sight),

My hubby announced we should call it a night.

He sprang to his bed, to the clock gave a whistle,

As the time had flown by like a large Titan missile.

But I heard him exclaim as he turned out the light,

“Merry Christmas, my dear, but next year NO BIKE!”

Some good advice for all of us:

‘Twas the Night Before Christmas, The Techie Version

from: cafemom.com

by humbert15 Flickr

by humbert15 Flickr

‘Twas the night before Christmas, when all through the house

Not a peripheral was stirring, not even a mouse.

The Dropcams were hung by the chimney with care,

In hopes that St. Nicholas soon would be there.

The Nexuses were charging by the kids’ beds,

While visions of Angry Birds danced in their heads.

And Mama with her Mini, and I my iPhone,

Were tapping away by that pale LCD glow.

When out on the lawn there arose such a boom,

I sprang from the bed when a flash filled the room.

Away to the window I flew like a tweet,

And saw an old man shaking his fist in the street.

The moon on the breast of the new-fallen snow

Gave an Instagram filter to objects below.

When, what to my wondering eyes should appear,

But a miniature sleigh, and eight tired reindeer.

The driver was grumbling as my skin it did tingle,

And I reached for my iPod to Google “Kris Kringle.”

But, to my dismay, my device, it was dead

And throughout the house LEDs all flashed red.

The little old man look around and with a voice full of tension:

“I’m sorry to wake you but I need your attention.

I meant not to scare you or cause your kids fear

But I just launched an EMP bomb to shut down your gear.”

“Every year I’ve been coming and dropping off toys

And hiding from all the good girls and good boys

But these days I fly by and see no Christmas dreams

‘Cause the kids are all playing games while Netflix it streams.”

“And you mums and fathers, with your laptops on laps

Aren’t sleeping but tweeting, Facebooking, and Chatting With Snaps.

You barely have time to look your kids in the eye

Let alone leave me a nice piece of pie.”

“So now all your gadgets and gizmos are retired

They’ll be back on by New Year’s and I’ll home by the fire.

And for a few days at least you guys can just chat

Instead of Skyping your kids when it’s time for a bath.”

And the effect was immediate, scary, and stark.

We had to look up from our iPads and stare into the dark

And watch with wonder the soft-falling snow

And the crisp winter moon and stars that did glow.

And I looked over at Mama and she looked at me

In a way that I remembered from back in ’83.

She held out her hand and in the window we stood

While others woke up in our neighborhood.

The kids weren’t distracted with Liking their tweets

And they grabbed their galoshes and took to the streets.

They made snowmen and angels and sang Christmas cheers

And patted the eight tiny, impatient reindeer.

And they didn’t ask for Mario, Metroid, or Mickey

Instead they read books and got themselves sticky

Eating popcorn and cookies and drinking hot fresh cocoa

And talking of Christmases long, long ago.

Looking around, old Santa was pleased.

He nodded and listened to the sound of the breeze.

His beard like silver in the moonlight did shine.

“It’s Christmas!” he yelled. “You should all be offline!”

He put his sleigh into drive, to his team gave a whistle,

And away they all flew like the down of a thistle.

But I heard him exclaim, ‘ere he drove out of sight,

“Turn off your gadgets, and to all a good night!”

One only a lawyer could appreciate:

‘Twas The Night Before Christmas, Legal Version

(Legal Version)

Author Unknown

From: Urbanlegends.com

Whereas, on or about the night prior to Christmas, there did occur at a certain

improved piece of real property (hereinafter “the House”) a general lack of

stirring by all creatures therein, including, but not limited to a mouse.

A variety of foot apparel, e.g. stocking, socks, etc., had been affixed by and

around the chimney in said House in the hope and/or belief that St. Nick a/k/a/

St. Nicholas a/k/a/ Santa Claus (hereinafter “Claus”) would arrive at sometime

thereafter.

The minor residents, i.e. the children, of the aforementioned House, were

located in their individual beds and were engaged in nocturnal hallucinations,

i.e. dreams, wherein vision of confectionery treats, including, but not limited

to, candies, nuts and/or sugar plums, did dance, cavort and otherwise appear in

said dreams.

Whereupon the party of the first part (sometimes hereinafter referred to as

“I”), being the joint-owner in fee simple of the House with the parts of the

second part (hereinafter “Mamma”), and said Mamma had retired for a sustained

period of sleep. (At such time, the parties were clad in various forms of

headgear, e.g. kerchief and cap.)

Suddenly, and without prior notice or warning, there did occur upon the

unimproved real property adjacent and appurtent to said House, i.e. the lawn, a

certain disruption of unknown nature, cause and/or circumstance. The party of

the first part did immediately rush to a window in the House to investigate the

cause of such disturbance.

At that time, the party of the first part did observe, with some degree of

wonder and/or disbelief, a miniature sleigh (hereinafter the “Vehicle”) being

pulled and/or drawn very rapidly through the air by approximately eight (8)

reindeer. The driver of the Vehicle appeared to be and in fact was, the

previously referenced Claus.

Said Claus was providing specific direction, instruction and guidance to the

approximately eight (8) reindeer and specifically identified the animal

co-conspirators by name: Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donder

and Blitzen (hereinafter the “Deer”). (Upon information and belief, it is

further asserted that an additional co-conspirator named Rudolph may have been

involved.)

The party of the first part witnessed Claus, the Vehicle and the Deer

intentionally and willfully trespass upon the roofs of several residences

located adjacent to and in the vicinity of the House, and noted that the Vehicle

was heavily laden with packages, toys and other items of unknown origin or

nature. Suddenly, without prior invitation or permission, either express or

implied, the Vehicle arrived at the House, and Claus entered said House via the

chimney.

Said Claus was clad in a red fur suit, which was partially covered with residue

from the chimney, and he carried a large sack containing a portion of the

aforementioned packages, toys, and other unknown items. He was smoking what

appeared to be tobacco in a small pipe in blatant violation of local ordinances

and health regulations.

Claus did not speak, but immediately began to fill the stocking of the minor

children, which hung adjacent to the chimney, with toys and other small gifts.

(Said items did not, however, constitute “gifts” to said minor pursuant to the

applicable provisions of the U.S. Tax Code.) Upon completion of such task, Claus

touched the side of his nose and flew, rose and/or ascended up the chimney of

the House to the roof where the Vehicle and Deer waited and/or served as

“lookouts.” Claus immediately departed for an unknown destination.

However, prior to the departure of the Vehicle, Deer and Claus from said House,

the party of the first part did hear Claus state and/or exclaim: “Merry

Christmas to all and to all a good night!” Or words to that effect.

‘Twas the Night Before Christmas

in Brooklyn 2 (The Don)

from: http://www.appleseeds.org/twas-night_vers.htm

Twas the night before Christmas,

Da whole house was mella,

Not a creature was stirrin’,

Cuz I had a gun unda da pilla.

When up on da roof

I heard somethin’ pound,

I sprung to da window,

To scream, “YO! Keep it down!”

When what to my

Wanderin’ eyes should appear,

But da Don of all elfs,

And eight friggin’ reindeer!

Wit’ slicked back black hair,

And a silk red suit,

Don Christopher wuz here,

And he brought da loot!

Wit’ a slap to dare snouts,

And a yank on dare manes,

He cursed and he shouted,

And he called dem by name.

“Yo Tony, Yo Frankie,

Yo Vinny, Yo Vito,

Ay Joey, Ay Paulie,

Ay Pepe, Ay Guido!”

As I drew out my gun

And hid by da bed,

He flew troo da winda

And slapped me ‘side da head.

“What da hell you doin’

Pullin’ a gun on da Don?

Now all you’re gettin’ is coal,

You friggin’ moron!”

Den pointin’ a fat finga

Right unda my nose,

He twisted his pinky ring,

And up da chimney he rose.

He sprang to his sleigh,

Obscenities screamin’,

Away dey all flew,

Before he troo dem a beatin’.

Den I heard him yell out,

What I did least expect,

“Merry Friggin’ Christmas to all,

And yous better show some respect!”

‘Twas the night before Christmas, Senior Version

From: http://allnurses.com/nursing-humor-share/twas-night-before-269593.html

by FirstBaptistNashville Flickr

by FirstBaptistNashville Flickr

‘Twas the night before Christmas at Rock-Away Rest, And all of us seniors were looking our best.

Our glasses, how sparkly, our wrinkles, how merry: The punchbowl held prune juice plus three drops of sherry. A bed sock was taped to each walker, in hope That Santa would bring us soft candy and soap. We surely were lucky to be there with friends, secure in this residence and in our Depends.

Our grandkids had sent us some Christmasy crafts, Like angels in snowsuits and penguins on rafts. The dental assistant had borrowed our teeth, And from them she’d crafted a holiday wreath The bed pans, so shiny, all stood in a row, reflecting our candles’ magnificent glow.

Our supper so festive — the joy wouldn’t stop.T’was creamy warm oatmeal with sprinkles on top. Our salad was Jell-O, so jiggly and great, Then puree of fruitcake was spooned on each plate. The social director then had us play games, Like “Where Are You Living?” and “What Are Your Names?

Old Grandfather Looper was feeling his oats, proclaiming that reindeer were nothing but goats. Our resident wand’rer was tied to her chair, in hopes that at bedtime she still would be there. Security lights on the new fallen snow made outdoors seem noon to the old folks below.

Then out on the porch there arose quite a clatter …..

(But we are so deaf that it just didn’t matter). A strange little fellow flew in through the door, Then tripped on the sill and fell flat on the floor. ‘Twas just our director, all togged out in red. He jiggled and chuckled and patted each head. We knew from the way that he strutted and jived our social-security checks had arrived.

We sang — how we sang — in our monotone croak, Till the clock tinkled out its soft eight p.m. Stroke. And soon we were snuggling deep in our beds, while nurses distributed nocturnal meds. And so ends our Christmas at Rock-Away Rest. Soon you’ll be with us; we wish you the best!!!

Do you have a favorite version?  Please feel free to copy and paste it in the comments or provide a link to your page!

HAPPY HOLIDAYS!

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Writing a Novel Using the Snowflake Method

There are several versions of the Snowflake Method to writing a novel.  My personal favorite is Randy Ingermanson’s version on his website, AdvancedFictionWriting.com.  I strongly suggest reading Ingermanson’s page on the Snowflake Method if you are about to put it into practice.  I based my version largely on Ingermanson’s, but being a visual learner and thinker, I tried to make it more of a visual illustration.  I also use medium sized, color-coded note cards for step 9, again, because I am more visual and like to play with colored paper and pens.

It is important that you look at a few different versions of the Snowflake Method and select the one that feels right to you.  You can also tweak any version to fit your personal preference.  I was in a kind of rut, block, whatever you want to call it, and this method really gave me the clarity and organization that I needed to get my story off the ground.

I also tried to make it fun, hence the colored paper and pens.  This way, I look forward to writing every day.  I also use pictures a lot, as you will see below.  Once again, I strongly urge a visit to AdvancedFictionWriting.com.

Happy writing!

The Snowflake Method:

*You will find that as you do each step, you will go back and revise what you have written in the previous steps.  This is encouraged.  Right now nothing is etched in stone and your story will grow and evolve as you start to fine-tune it and learn more about your characters.

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1.  Write a one-sentence description of your novel.  The sentence should not be too long, about 15-20 words, but should give a summary of your novel in broad strokes.  It is helpful not to use character names, and to make sure your sentence captures the dilemma faced by your main character.  Writing an effective one-sentence summary of a novel is difficult and will take time to master.  Ingermanson suggests looking at the New York Times Bestseller List for examples.

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2. Expand your sentence into a one-paragraph description of the novel, making sure to include a description of the back-story, major complications, and resolution.  This paragraph should be about 4-6 sentences long.  The first sentence should set up the story, the middle 2-4 sentences should each describe a major obstacle or conflict that the main character has to face, and the final sentence should describe the end of the novel.  This will help determine the main sections of your novel.

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3.  Think about each of your characters in turn.  Write a one-page summary of each character’s storyline, including:

  • Like in step 1, a one-sentence summary of what happens to the character in the novel
  • Motivation & concrete goals: what makes the character tick?  What do they want on a broad, general level? What does the character want specifically?
  • Conflict: What is keeping the character from reaching his or her goals?
  • Evolution:  How is the character changed by the conflict?
  • Like in step 2, a one-paragraph summary of what happens to the character in the novel.

For my character descriptions, if I find a particular photograph that makes me think of a specific character, I copy and paste it to that character’s description.  If there is a place or object that is important to the character, I also try to include a picture of it to that character’s file.

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4.  Take each sentence from step 2 and turn it into a paragraph.  This will yield a one-page summary of your novel.

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5.  Write a one- page character synopsis for each main character, telling the story from their point of view.  For secondary characters, write a ½ page synopsis.

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6.  Expand each paragraph from step 4 into a one-page description for each.  This will give you a pretty clear picture of your story and the various storylines that you have developed through your character descriptions.

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7.  Take each character and write a full character description, including absolutely everything there is to know about the character- favorite food, best friend, zodiac sign, what they eat for breakfast.  There is a great character description template at Creative Writing Now.

You can also include a character map: female, or male.

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8.  Take each page from Step 6 and write a one-sentence description of every scene that you will need for each page.  It helps to do this on a spreadsheet, adding the point of view for each scene in a separate column.  This way, you can play around with your scenes and move them as you think about how you want to tell your story.

I color- code my spreadsheet depending on either the character storyline, or point of view, if I use more than one.

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9.  Now take each line from your spreadsheet and either write out and print a 1-2 page description of each scene, or write it out on color-coded note cards.  I like to include pictures, quotes, songs, etc. in these sections to make the story come alive in my head.  Play with the scenes, reorganizing them and moving them around.  This will yield a detailed synopsis of your novel.

Here is what my notecards look like:

work in progress

 

 

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10.  Write your novel using your detailed synopsis as a guide.

Good luck!

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Gabriel García Márquez, How Ideas For Stories and Novels Are Born: An Image

It all starts with an image…

19/03/2009 La Ministra de Cultuta de Colombia ...

19/03/2009  (Photo credit: Wikipedia)

This is a short excerpt from Gabriel García Márquez‘s El olor a la guayaba (The Smell of Guava), a series of interviews/conversations with Plinio Apuleyo Mendoza (Tunja, 1932), Colombian politician, journalist and writer.  The translation is mine:

Mendoza: What is, in your case, the starting point of a book?

García Márquez: A visual image.  In other writers, I think, a book born from an idea, a concept. I always start from an image.  ”La siesta del mates” (“Tuesday Siesta“), which I consider my best story, sprang from the vision of a woman and a girl dressed in black, with a black umbrella, walking under the burning sun of a deserted town. La hojarasca (Leaf Strom), is an old man taking his grandson to a funeral.  The starting point of El coronel no tiene quien le escriba, (No One Writes to the Colonel is the image of a man waiting for a motor boat in the market in Barranquilla.  He waited with a kind of quiet anxiety. Years later I found myself in Paris waiting for a letter, perhaps a check, with the same anguish, and I empathized with the memory of that man.

In Spanish:

-¿Cuál es, en tu caso, el punto de partida de un libro?

-Una imagen visual. En otros escritores, creo, un libro nace de una idea, de un concepto. Yo siempre parto de una imagen. La siesta del martes, que considero mi mejor cuento, surgió de la visión de una mujer y de una niña ves­tidas de negro y con un paraguas negro, caminando bajo un sol ardiente en un pueblo de­sierto. La hojarasca es un viejo que lleva a su nieto a un entierro. El punto de partida de El coronel no tiene quien le escriba es la ima­gen de un hombre esperando una lancha en el mercado de Barranquilla. La esperaba con una especie de silenciosa zozobra. Años des­pués yo me encontré en París esperando una carta, quizás un giro, con la misma angustia, y me identifiqué con el recuerdo de aquel hom­bre.

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Writing Advice from Abelardo Castillo

 

Abelardo Castillo´s portrait, argentine writer.

Abelardo Castillo´s portrait, argentine writer. (Photo credit: Wikipedia)

Abelardo Castillo (Buenos Aires, 1935) is an Argentinian writer, novelist, essayist, and playwright.  He is also well known for his short stories including “Ernesto’s Mother“.  An amateur boxer in his youth, Castillo worked as director of several literary magazines including El Escarabajo de Oro and El Ornitorrinco.  Following are a few tips from his book Ser Escritor (Being a Writer), compiled by “Mi isla al mediodía.”  The translation is mine.

Advice from Ser Escritor (Being a Writer)

  • Don’t try to be original or draw attention.  To achieve either you don’t need to write short stories or novels, all you need to do is step out on the street naked.
  • In general, it is just as difficult to write a great novel as it is to write a stupid one.  Effort, passion, pain, don’t guarantee anything.  It is unpleasant but true.  Don’t leave bed without meditating on this.
  • Not everything, because it happened to you, is interesting to someone else.  This goes for writing as well as conversation.
  • Someone else’s dreams are invariably boring.  Never forget that you own dreams are someone else’s to others.
  • From time to time you will remember this story.  Somebody once brought Anton Chekov a manuscript and asked him:

“What should I do, Master?  Should I publish it or throw it in the trash?

“Publish it,” said Chekov. “The readers will take care of throwing it in the trash.”

Finally,

  • Don’t believe in writers’ maxims.  Including these.  What is attractive about a maxim is its brevity; in other words, the only thing that has nothing to do with the truth of an idea.

Other information about Abelardo Castillo

There is a good compilation of Castillo’s short stories in Spanish at Cuentosinfin.com

There is also a short film based on his story “El Marica”

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10 Great Writing Prompts

This is a sample of some of the writing prompts available at lasesanaonwriting.wordpress.com

Writing Prompt # 001

Picture prompt: Start a story or scene from a description of the picture above.

Writing Prompt # 002

Art prompt:

  • Write a story about what is going in the painting.
  • Go back and write the story from the point of view of one of the people in the painting
  • Re- write it a third time from the point of view of someone who is not visible in the painting

Writing Prompt # 003

by Vladimir Terán Altamirano

If you could be anyone, living or dead, for a day, who would you be?  Describe what you would do on that day.

Writing Prompt # 004

What was something that you feared at first and then absolutely loved?  Write about your experience.

Writing Prompt # 005

Katsishika Hokusai, The Great Wave

Art prompt:

“They set out that morning knowing they may not all return.  As he kissed his wife, he wished he would have told her about…”  Finish the story

Writing Prompt # 006

By Fylkesarkivet i Sogn og Fjordane

If you could pick anyone to be your mother and father, who would they be?  Why?

If you could pick anyone to be your son or daughter, who would they be? Why?

Writing Prompt # 007

by Sam Antonio Photography

A nosy reporter arrives in a sleepy little town and begins to ask questions.  Its obvious the residents are all hiding something…

Writing Prompt # 008


Watch the above video.

  • Write a story from the point of view of one of the people in one of the paintings discussed.
  • Write a story from the ufo’s point of view

Writing Prompt # 009

Picture Prompt: Write a story explaining what happened before this picture was taken.

Writing Prompt # 010

Time Travel: Your character, thousands of years in the future, discovers the Acropolis and tries to find out what it was, what happened to it, and its importance.

For more writing prompts, visit lasesanaonwriting.wordpress.com

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“A Few Words About Short Stories,” Augusto Monterroso

“A Few Words About Short Stories,” Augusto Monterroso

Born in Teguscigalpa, Honduras, Augusto Monterroso (1921- 2003) is mainly known as a Guatemalan writer.  In his early life in Guatemala city, where his family relocated in 1936, Monterroso began to publish his short stories and was one of the founders of El Espectador with several other writers.  Due to his clandestine work against Guatemalan dictator Jorge Ubico, Monterroso was detained and ultimately exiled to Mexico in 1944.  He occupied various ambassadorial posts in several Latin American countries  in the 1940s and 50s before settling in Mexico city for good, where he died in 2003 at the age of 81.

Awards:

 

Unas palabras sobre el cuento, A Few Words About Short Stories

A person who likes novels writes novels; a person who likes short stories writes short stories.  Since I’m of the latter persuasion, I write short stories.  But not that many: six in nine years, eight in twelve.  Like that.

One cannot write too many short stories.  There are three, for, or five subjects; some say seven.  Those are the ones that must be worked on.

As for pages, they also have to be a few, because there are few things as easily ruined as a short story.  Ten extra sentences and the story is impoverished; ten fewer and the story becomes and anecdote, and there is nothing more odious than an excessively visible anecdote, written or in conversation.

The truth is that nobody knows how a short story should be.  The writer who knows it is a bad storyteller, and his knowledge becomes obvious from his second story, making everything sound false, and boring, and deceitful.  One must be very wise to resist the temptation of knowledge and confidence.

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2012 Library of Congress National Book Festival

It looks like this year’s 2012 Library of Congress National Book festival on National Mall in DC will be nothing short of a book lover’s paradise!  President Obama and the First Lady will be honorary chairs of the event, and writers like Mario Vargas Llosa, Junot Diaz, TC Boyle, Patricia Cromwell, Geraldine Brooks, Sandra Cisneros and MANY MANY more.  Here is a list of all participants, and a schedule of all speakers and events.

Writers, poets and illustrators will be on hand to answer questions, participate in discussions, and sign books!

When: September 22- 23, 2012

Where: National Mall

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